Known for electric vocalism ranging from monstrous noise to angelic delicacy, soprano Charlotte Mundy has been called a "daredevil with an unbreakable spine" (SF Classical Voice), “superb” (The New Yorker) and “mesmerizing”(New York Times). 

 Charlotte Mundy’s 25/26 season featured performances as a soloist at the Parco Della Musica Contemporanea, Rome, on the Long Play Festival in NYC, and in the world premiere of the opera In Open Air by Andrew Burke. She gave additional world premiere performances by Qiujiang Levi Lu and Tori Cheah with TAK Ensemble, and by Georg Friedrich Haas, Taylor Brook, Evan Johnson, and Jeffrey Gavett with Ekmeles.

An exciting 26/27 season lies ahead, with the world premiere of Bára Gísladottir’s Good Vibes Only at Deutsche Oper Berlin, five performances of Music for 18 Musicians at the Park Avenue Armory with Alarm Will Sound, the concert premiere of Suzanne Farrin’s opera Macabéa at Miller Theater, the premiere of a new arrangment of Anatomy of Melancholy by Christian Quiñones at Art Omi, and performances on the Gaudeamus, Skanu Mezs and Göttingen Festivals, among other engagements.

TAK’s 2026 album Between the Air was selected as a “Best Contemporary Classical Music” release on Bandcamp. Mundy’s 2025 album The Sea with composer Francisco del Pino was praised as “an utter treasure…an antidote to the moment we’re living in, a mote of absolute beauty resistant to the tempest all around” (Steve Smith, Night After Night).

Another recent album, My Mother In Love: The Summer Sessions, with composer Anna Weesner, was dubbed “Art song bleeds into chamber pop,” in which “Charlotte Mundy's voice cascades between angelic delicacy and monstrous noise, and honestly, it's kind of unreal how naturally she inhabits that range.” (Brad Rose, Foxy Digitalis)